AFTER REPAIR OR EXTENDED PERIODS OF NON-USE
- One question that frequently arises among recorder players is whether they should go through the playing-in process again after re-voicing or when the instrument has been unused for a long time. If the recorder has been re-voiced, there is no need to repeat the playing-in period. However, if the instrument has been dormant for a year or more, we recommend following the playing-in procedure when you start using it regularly again.
- The wood used to craft the recorder may have become dry, and initially, it will absorb a significant amount of water, causing the wood cells to swell. If the cells lose water too quickly when the instrument is set aside after playing, there is a real risk of cracks or splits. This risk is particularly prominent in the head joint, where the swollen block exerts additional pressure on the head sleeve surrounding it. Some recorders are designed to partially eject their blocks under excessive pressure. If you notice the block slightly protruding and the instrument’s performance does not seem to be affected, it is recommended to leave it as is. You can have your repairman readjust it when you bring the instrument for cleaning or general servicing. Avoid forcing the block back into the instrument until it is completely dry, and handle it with utmost care.
Don’t Delay: Take Action Early for Better Outcomes
- Many recorder players often wonder whether they should repeat the playing-in process after re-voicing or when their instrument has been unused for an extended period. If your recorder has undergone re-voicing, there is no need to go through the playing-in period again. However, if your instrument has been inactive for a year or longer, we recommend following the playing-in procedure when you resume regular use.
- The wood used to construct the recorder may have become dry, and initially, it will absorb a significant amount of water, causing the wood cells to swell. To prevent the risk of cracks or splits, it is crucial to avoid rapid water loss when you set aside the instrument after playing. This concern is especially relevant for the head joint, where the swollen block exerts additional pressure on the surrounding head sleeve.Certain recorders are designed to partially eject their blocks when subjected to excessive pressure. If you notice a slight protrusion of the block and the instrument’s performance remains unaffected, it is advisable to leave it as is. You can have your repairman readjust it during the instrument’s cleaning or general servicing. Please refrain from forcing the block back into the instrument until it is completely dry, and handle it with utmost care.